Rental Room in Tokyo

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1

Crew Member

Alright, let's take a break here!
2

Crew Member

We'll resume with Scene 32 at five sharp, so please be sure to return by them!
3

Rui

Listen

(Finally, a break.
That took about two hours longer than expected, but the fact we get to take one at all is a good sign.)
4

Rui

Listen

(The scene we just shot involved simply shopping for a few things, but it the choice of effects changed the impression it gave dramatically.)
5

Rui

Listen

(The supermarket was dim and gloomy in early scenes, but they turned on every light for this scene to illuminate the entire set.)
6

Rui

Listen

(Doing so, shows how Katsuyuki has changed since meeting Hajime. He's filled with much more optimism now.)
7

Rui

Listen

(I have to credit Mr. Ohara...
It's a marvelous way to present changes in a character's emotional state.)
8

Rui

Listen

(I want to keep learning these sorts of techniques while I can, but...)

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9

Ohara

Ah, Kamishiro, it's you.
Do you have a minute?
10

Rui

Listen

Oh, Mr. Ohara... How can I help you?
11

Ohara

You said you wanted to learn more about being a director, right?
12

Ohara

If that's the case, why don't you take a look at what we just shot?
13

Rui

Listen

What...?
14

Rui

Listen

Yes, I'd be honored.
15

Ohara

...and that's the footage we just got.
16

Rui

Listen

I see...
17

Rui

Listen

This may not sound all that profound, but seeing a set through the camera is very different from what you see with the naked eye.

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18

Rui

Listen

The changing camera angles between different shots must have something to do with that.
19

Ohara

Ah, your intuition is spot on.
20

Ohara

There are a myriad of differences between film and theatre, but I believe the way we make use of perspective sticks out.
21

Rui

Listen

Perspective...?
22

Ohara

With theatre, the audience can only view the stage from a single direction. You essentially only have one camera.
23

Ohara

However, that's not the case with film.
You can use as many cameras as you like to present a space from multiple angles.
24

Ohara

What do you think are the benefits of that?
25

Rui

Listen

It gives you the ability to control the viewer's perspective...?
26

Ohara

Exactly.
You're limited to one camera for theatre, but film makes it easy to change how the viewer perceives what's happening.
27

Ohara

The scenes we shot today are a good example of that. Depending on how bright the screen is or how many shots we use, you can get the characters in the same scene to give off very different impressions.
28

Rui

Listen

Yes, I see...
29

Ohara

To be fair, it's difficult to produce the sort of power you get with a live performance as you do with theater...
30

Ohara

But film is interesting because you can move your audience by controlling their perspective.
31

Ohara

Unfortunately, since most of your work involves the stage, it might be hard to put any of what I'm saying into practice.
32

Rui

Listen

No.
33

Rui

Listen

If anything, I'd like to learn more of these sorts of techniques.
34

Ohara

What?
35

Rui

Listen

My dream is to put on a show that transcends borders. One that everyone can enjoy.
36

Rui

Listen

And in order to make that dream come true, I need to learn as much as can about directing, no matter the medium.
37

Ohara

Interesting...
38

Rui

Listen

Which is why I want to learn about as many different ideas, techniques and thought processes as possible.
39

Rui

Listen

Please teach me everything you know.
40

Ohara

Hah!
Everything, huh?
41

Rui

Listen

...
42

Ohara

Well, that's the energy you'll need if you're serious about this.
43

Ohara

I'd begun to doubt the resolve of kids like you since so many I've come across end up being spineless. But you're not like them.
44

Ohara

So, I'll take your word and teach you everything I can. Out of respect for that ambition.
45

Rui

Listen

...!
46

Ohara

Starting tomorrow, you'll be working as my assistant. Just be warned that I'm going to be even harder on you compared to before.
47

Rui

Listen

Thank you very much.
I promise to do my absolute best.

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48

Rin

Listen

(I just came to take a quick peek...)
49

Rin

Listen

(But it looks like Rui and the director are getting along really well now!)
50

Rin

Listen

(Things seem to be going so great!
I've gotta come back again tomorrow to give everyone whatever support I can♪)
Next Chapter: Cinematic Techniques