A few days later
Hospital

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1

Toya

Listen

I'm eager to get started today, Soma.
2

Soma

Listen

Haha. You're so old-fashioned. It's no biggie. I'm just giving you a few tips regarding sampling.
3

Toya

Listen

No, I need to properly show my appreciation since I'll be taking up so much of your time with this.
4

Soma

Listen

I get how you feel, but let's just try to have fun, okay? Anyway, let's get started!
5

Soma

Listen

By the way, Aoyagi, you already know a thing or two about sampling, right?
6

Toya

Listen

Oh, yes. I know a little bit.
7

Toya

Listen

You take existing sounds, phrases and whatnot from existing songs, and create new works out of them, yes?
8

Soma

Listen

Yeah, that's right. To be more precise, it's not just songs. You can use sounds from the natural world, people, machines... Anything that creates noise, really.
9

Soma

Listen

However, you're pretty much spot on when it comes to street music, Aoyagi.
10

Toya

Listen

Is this how you've always made your own songs, Soma?
11

Soma

Listen

No, I started doing this for the very first time after I got into street music.
12

Soma

Listen

I wanted to learn as much as I could about the culture surrounding street music, and sampling became a part of that.
13

Soma

Listen

Oh, speaking of culture, you mentioned something the other day that caught my attention.
14

Toya

Listen

Hm? I did?
15

Soma

Listen

Yeah, the thing about having a background in classical music keeping you from fully understanding sampling and street music culture.
16

Soma

Listen

Why would knowing how to play classical music make things more difficult?
17

Toya

Listen

Ah, well...
This has to sort of do with my own feeling.
18

Toya

Listen

When I was still playing classical music, my dad taught me to give absolute respect to each note of a piece of sheet music.
19

Toya

Listen

He was adamant about understanding the motives of the composer and playing said music the way they originally intended.
20

Toya

Listen

On the other hand, sampling involves using snippets of songs. You're essentially doing the opposite of what the creator intended, which I seem to have trouble dealing with...
21

Toya

Listen

For instance, my dad once said that it would make sense if one were to use an entire movement from another composer's work, like Chopin did.
22

Soma

Listen

Yeah, I understand.
That would make the process of picking and modifying one part of a song kinda hard.
23

Soma

Listen

At the same time, in my mind, sampling is actually really similar to what you just described.
24

Toya

Listen

Huh? What do you mean?
25

Soma

Listen

At its core, sampling involves properly respecting the works that others have made.
26

Soma

Listen

You borrow the parts of songs that you want to use, but if you don't know how to use them effectively, it ends up being a pointless exercise.
27

Soma

Listen

You sorta need to be open about how it's influenced you. Only then can you create something that's new and reflects who you are.
28

Toya

Listen

I see. I never thought of it that way...
29

Soma

Listen

Yeah, songwriting's interesting because you can look at it from so many different angles.
30

Soma

Listen

Also, it's really cool to hear about how much you studied classical music!
31

Toya

Listen

Oh, um... My dad's a classical pianist and a composer...
32

Soma

Listen

Wait, what?! That's incredible!
33

Toya

Listen

Life wasn't easy since he was a very strict teacher...
34

Toya

Listen

But thanks to you, Soma, I was able to discover the connection between classical and street music. It's put me at ease.
35

Soma

Listen

Alright, since we've sorta laid your fears to rest, why don't we give it a go...?

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36

Toya

Listen

You write songs on your laptop?
37

Soma

Listen

Yup.
This is the one I used when Arata and I still sang together.
38

Soma

Listen

And here are all the audio files that I was collecting until four years ago. They're all in this sampling folder.

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39

Toya

Listen

Oh, there are so many!
This one's titled... “Crowd”?
And this one's “Underpass”?
40

Soma

Listen

Yeah, I like to use snippets of existing songs, but I also enjoy using sounds you can hear from the world around us.
41

Toya

Listen

I see...
And there seems to be more. Cracking an egg open, the sound of slippers and other things from regular life...
42

Soma

Listen

Haha. I guess you can chalk it up to me interpreting all these sounds as music.
43

Soma

Listen

Also, by using these kinds of sounds, you can tie your music to day-to-day life.
44

Toya

Listen

Hehe...
That's a nice way to think about it.
45

Soma

Listen

Isn't it? Since you're saying that, let's try putting a song together!

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46

Soma

Listen

Well, that's what I want to say...

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47

Soma

Listen

But I can only use one of my hands right now, so typing and stuff's a bit of a challenge. Thanks for taking over...
48

Toya

Listen

No, this is the least I could do since you're going out of your way to teach me.
49

Soma

Listen

Now, let's start by choosing a beat.
50

Toya

Listen

Right. We can't begin unless we do that.
51

Soma

Listen

We'll need a base sound... What should we use?
52

Soma

Listen

Oh, I know.
There's this song I listened to a lot on my way to school. We can try creating a beat by looping its intro.
53

Soma

Listen

To me, this song says, “You may not feel great now, but something good will happen tomorrow.” It's really uplifting and always found a way to cheer me up.
54

Toya

Listen

This song must mean quite a lot to you, Soma.
55

Soma

Listen

Yeah, it does.
Listening to it in the morning gets me so pumped up!
56

Soma

Listen

So, we can try making a song that encapsulates a fun and happy morning. Once we've finished inputting everything for the bass and drums, let's move on to phrases...
57

Soma

Listen

A sax should help jazz things up and make it sound more hip. Also, it might be fun to throw in an acoustic guitar somewhere.
58

Soma

Listen

That's what's great about all this. You can express yourself however you like and just go with what you feel when you hear these sounds. It doesn't matter if something personal comes to mind either.
59

Toya

Listen

Something personal... Does that mean you'd try using some of those sounds from day-to-day life here, Soma?
60

Soma

Listen

Hey, you're pretty sharp.
Yeah, I'd probably toss in the sounds of some dishes clinking or birds chirping.
61

Soma

Listen

Oh, but Arata would usually say, “These clash too much with the other sounds,” when I got a bit overzealous...
62

Toya

Listen

I see... I will bear that in mind.
63

Soma

Listen

Um... Toya, by the way...
64

Soma

Listen

Why do you seem so determined to write your own songs?
65

Soma

Listen

This is just based on my own experience, but I feel that good performances are what get a crowd going.

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66

Soma

Listen

So, I really don't think you need to focus so much on writing your own stuff. If Shinonome's good at that, then I feel you can just leave it to him.
67

Toya

Listen

But...
68

Toya

Listen

...
69

Soma

Listen

Aoyagi?
70

Toya

Listen

Akito said that I should just keep trying until I feel satisfied...
71

Toya

Listen

Which means he's willing to wait until I finish my song.
72

Toya

Listen

But I can't make him wait forever.
73

Toya

Listen

Azusawa started singing not too long ago and is growing at a tremendous pace. She has a natural talent for it and surprises me every time we perform together.
74

Toya

Listen

Shiraishi has guts and is very good at interacting with the audience. Every musician in town admires her very much.
75

Toya

Listen

And Akito has this uncanny perception when on stage. He's able to monitor what's going on during a performance and support the rest of us while keeping his foot on the gas pedal.
76

Soma

Listen

Right...
Arata's told me all about Vivid BAD SQUAD. You guys are all such powerful performers and seem to really care about one another.
77

Toya

Listen

Yes, I can always count on them for help...
78

Toya

Listen

Which is also the reason why I can't make them wait more than they need to. I want to show them some good results.
79

Toya

Listen

I want to be more of a contributor...
80

Toya

Listen

When it comes to singing and performing, I feel confident about keeping up with the others now. However...
81

Toya

Listen

I can't help but be bothered by the things I'm still now able to do. Am I asking for too much...?
82

Soma

Listen

...
83

Soma

Listen

No, I don't think so.
That's just how life is, right?
84

Toya

Listen

Yes, well...
85

Soma

Listen

You too, huh, Aoyagi...?
You wanna be more of a contributor...

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86

Nurse

Excuse me, Mr. Miyata.
87

Soma & Toya

Listen

Huh?
88

Nurse

Oh, you have a friend visiting.

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89

Nurse

I'm sorry, Mr. Miyata, would you mind coming with me? It's time for that test...
90

Soma

Listen

Oh, that's right!
I completely forgot that I was supposed to do that today!
91

Soma

Listen

Sorry, Aoyagi, I need to go for a bit! I'll be back in like thirty minutes!
92

Toya

Listen

O-Okay... Um...
93

Soma

Listen

Oh, right. You won't have much to do while I'm gone. I know. You can try listening to the other sounds on my laptop!
94

Soma

Listen

They should all be in the folder at the very top!
95

Nurse

Alright, we really need to get going.
96

Soma

Listen

Again, sorry! I'll be right back!
97

Toya

Listen

Oh...

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98

Toya

Listen

I feel kind of bad...
I didn't realize that he had to do a test today.
99

Toya

Listen

But I have some time on my hands now. What should I do...?
100

Toya

Listen

Soma said that there were more sounds in that folder. Is it this? The newest one...?

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101

Toya

Listen

Hm? It was last used yesterday?
These songwriting tools also seem to have been used fairly recently.
102

Toya

Listen

He said that I could listen to them, so I guess I'll take him up on his offer and...

Sound Effect: Play

103

Toya

Listen

*Gasp*
This song...

Sound Effect: Play

104

Soma

Listen

Sorry about that, Aoyagi!
It went by quicker than expected.
105

Soma

Listen

Wait, that song...
106

Toya

Listen

Oh, Soma...
107

Toya

Listen

This is the incomplete song that Tono showed us. Were you working on it just recently?
108

Soma

Listen

Oh, wait... The very top...
Okay, that was my mistake. Of course you'd find it...

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109

Soma

Listen

But you're right...
110

Soma

Listen

Remember how you said you want to be more of a contributor, Aoyagi? I feel the same way.
111

Soma

Listen

I want to help Arata as much as I can, and I decided to finish the track I was working on before my accident.
112

Toya

Listen

For Arata...
Yes, I see.
113

Toya

Listen

Um, Soma...
114

Soma

Listen

Yeah...?
115

Toya

Listen

I really enjoyed the new parts you've been working on too. They feel so free, liberating and harsh, but also kind.
116

Toya

Listen

They're a wonderful expression of your courageous nature and sensitivity...
117

Toya

Listen

I would be very envious of the person who got to sing this track.
118

Soma

Listen

What...?
119

Soma

Listen

Ohh. Haha...
You have this way of catching me off guard whenever I talk to you, Aoyagi.
120

Soma

Listen

It's just... You were so straight with me that I feel a bit stupid for being awkward...
121

Soma

Listen

I'm slightly embarrassed by what you said, but I also really appreciate it. So, thanks!
122

Soma

Listen

Unfortunately, I haven't really been getting anywhere with it, and I'm not really sure when I'll be able to finish it.
123

Toya

Listen

Is it giving you that much trouble?
124

Soma

Listen

Yeah, not being able to move my body around freely has something to do with it...
125

Soma

Listen

But remember how I said Arata and I used to work on stuff together?
126

Toya

Listen

Ah, yes, I remember.
127

Soma

Listen

I prefer to create as I go based on how I feel, but Arata's the logical type. It doesn't matter that he isn't great at coming up with phrases since he is good at putting things in the right order.
128

Soma

Listen

Which is why it took both of us to create a song from start to finish.
129

Toya

Listen

Ah, that explains why Tono said you were the one who wrote that song...
130

Soma

Listen

To be fair, it sounds like he can do just about anything on his own now...
131

Soma

Listen

The truth is, I wish that I could write entire songs on my own...
132

Soma

Listen

Um, Aoyagi, can I ask you for a favor...?
133

Soma

Listen

Every so often, could you stop by to give me your take on things like you did just now?
134

Toya

Listen

Yes, of course, but my opinions? Are you sure?
135

Soma

Listen

Yeah, I'm sure. Arata and I used to discuss which sound is best for a given part, and that always helped a lot.
136

Soma

Listen

But I sorta get lost when I have to write songs all on my own like this. That's why I need to hear from someone else. Only then will I know how I'm really doing.
137

Toya

Listen

If you're okay with me being that person...
138

Toya

Listen

But why me...?
Can't you just make them again with Tono...?
139

Soma

Listen

No, I'd like it if you didn't tell him about this...
140

Toya

Listen

What?
141

Soma

Listen

For Arata's sake, as well as mine, I want to finish this song. I don't know if I'll be able to make it right, but I really want to avoid disappointing him by not doing so.
142

Soma

Listen

Which is why I don't want him knowing what I'm doing right now. If possible, can you not tell anyone else about this?
143

Toya

Listen

Understood.
I won't tell Arata, Akito or anybody else.
144

Soma

Listen

Thanks, that helps a lot...
145

Toya

Listen

No, it's okay.
I can tell that you care deeply about this song.
146

Soma

Listen

Yeah. I wanna finish it someday and hand it over to him.
147

Toya

Listen

(Hand it over someday...)
148

Toya

Listen

I know how you feel, Soma, since I also have teammates that I care very much about.

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149

Toya

Listen

I also wish to be there for them as much as possible.
150

Soma

Listen

Aoyagi...
151

Toya

Listen

Um, Soma. You asked me to give you my thoughts, but is there anything else I can do to help?
152

Toya

Listen

I'm also not very good at coming up with phrases and such, but I think I can assist you by adjusting sounds and arranging everything.
153

Soma

Listen

No, I shouldn't take up more of your time. I mean, you still have to get ready for that event, right?
154

Soma

Listen

I know how serious all of you guys are about it, so I don't want to get in the way of you succeeding.
155

Toya

Listen

No, that won't be an issue.
I have every reason to help you right now, Soma.
156

Soma

Listen

Every reason...?
157

Toya

Listen

Yes. They say learning by doing is best, and I stand to benefit and learn quite a by watching the way you write songs.
158

Toya

Listen

I'd like to make some progress as well. So, Soma, will you be willing to help me with that?
159

Soma

Listen

Help you...?
I wasn't expecting to hear that.
160

Soma

Listen

Okay, got it.
Alright, Aoyagi, I'll lend you a hand.
161

Toya

Listen

...!
Thank you very much!
162

Soma

Listen

Sure thing, but...
Let's hold off on working together until just before you guys' event.
163

Toya

Listen

Wait, but...
164

Soma

Listen

I honestly don't know how long this is gonna take, so I can't really ask you to stay with me until I do.
165

Soma

Listen

But it'll be like us trading this for that. You'll help me with my track and I'll help you learn as much as I can about songwriting. How's that sound?
166

Toya

Listen

Okay, I understand...
I'll be looking forward to working with you prior to our next event.
167

Soma

Listen

Thanks, Aoyagi! I'll be looking forward to your help!
168

Toya

Listen

Yes, I'm looking forward to helping as well.
Next Chapter: Let's Write A Song!